I begin again to write after a long time of silence and after I have kept at a safe distance the world of writing. It’s not easy to return on one’s steps, especially if you are a visual creative who uses the writing for the necessary to explain the own projects. It’s hard to explain to people who read you, the reasons which take you to open a publication on web, it’s hard to not think how you can make known the arguments each time you will discuss if you know these arguments are not common but there are few people interested them. I think the first post must be a preface on what we would like write in the following posts. It must represent our imaginary line on which to pin down the topics we would like to talk about, a reference for all those times we lose sight the pourpose for which to write, a note to be read every time it’s missing the reasons to continue, an engagement to be revise to the need to reorganize own work in a new viewpoint and under new scenary. I have always ass
When I met fractals and fractal art, what aroused my interest were fractal patterns with their forms and geometric structure. These graphic elements are suitable for studies on pattern in architecture and in industrial design and they have the feature of being creative pattern very artistic and useful for digital art and drawing fabric in the fashion design. Their compositional relations, the way the form is repeated, and specially that patterns in which there are singolarity have been the object of my studies for many years before arriving at deconstructivism on digital images and in generative art. The most interesting aspect of the fractal patterns are the variation of structure for the overlap of different structures, the iteration and interaction of the structures between them, or the optical effect of light and colors on the structures. Among all fractal patterns my interests are focused on patterns have deformation points and show a graphic singularity or discontinuity