THE THINKING BEHIND DESIGN

  Julius was a man that he had worked in all the world and in great cities, but at certain point of his life had given up all this to live in one of that depopulated smart towns of the appennine.  It wasn’t a difficult choise for a man that he had lived fully the confusion of life, absorbed from its the noises and the fast followed each other of events, and that now he wished only to reunite with the quiet and the silence those lands and the nature yet apart pure could give back him.  That afternoon he walked along the road bristling and difficult that it joined his house with the point higher of the town, place from that it could admire a wonderful view on the entire valley that it turned to west.  His walking seemed to have a melancholy look, yet more evident when from time to time he paused to observe the stones that they paved the road, absorbed in maybe which mysterious thinking.  At a look more attentive, still, from his face nothing of all of this it show...

  " Even if done well, a copy is always a copy, the original is always original "   Art isn't only talent and/or study but it's also and especially experimentation and process of creation.  You can draw very fine, you can know all artistic techniques, you can have the best tools possible and imaginable, you can have a good sense for aesthetics and colors, but if you don't experiment and create your process of creation you are only a good professional man of art but you don't have personality.  The personality consents to distinguish you from others in the daily life and in any profession but it's fundamental in the art: it consents you to give a form to imagination, it consent you to imagine and give a form to the thinking through a mental process that it's a distinguishing sign of the artist.  That distinctive sign can be imitated but it will not be never like the original, you can copy an image and repeat the technique but never the process of creati...

  When we speak about art, all of you consider classical sectors as painting, sculpture, photography and cinema without thinking that also in the programming and in the math there is the development of new artistic paths in line with the graphics and the digital art. They suppose a background of knowledge more extensive lied to mathematical algorithms and complex computer programming.  If the experience in the fractal art allowed me to extend the artistic and mathematical competences, the generative art allowed me to put in practice this competences from the point of view of programming in a different way and in relation with digital graphics.  The common vision of both arts is in the fractal formulas on which is based the study of dinamic systems, in both cases we find the caos in the algorithms and only the designer decides how sets order.  The fractals are geometric object with the character of auto-similarity as defined from the chaos theory and are described as ...

  When I met fractals and fractal art, what aroused my interest were fractal patterns with their forms and geometric structure.  These graphic elements are suitable for studies on pattern in architecture and in industrial design and they have the feature of being creative pattern very artistic and useful for digital art and drawing fabric in the fashion design.  Their compositional relations, the way the form is repeated, and specially that patterns in which there are singolarity have been the object of my studies for many years before arriving at deconstructivism on digital images and in generative art.  The most interesting aspect of the fractal patterns are the variation of structure for the overlap of different structures, the iteration and interaction of the structures between them, or the optical effect of light and colors on the structures.  Among all fractal patterns my interests are focused on patterns have deformation points and show a graphic singu...

  When the first time I have deconstructed a fractal image, it's not been a good experiment, but all experimental artist know that the wrong attempt sometimes open new ways on different horizon.  The image is still in the web and sometimes come out from the memories of google search...  Sometimes maybe we are very conscious where we want to go but it's not always the initial path the right way to began because it's uneven, above all "the technique needs time to be refined and the theory needs time to be developed".  The first images used were bidimensional and today I yet continue to work on that technique to deconstruct the fractal images inspite there are 3D software for fractal art and I often work with generative art where I use algorithm in movement rather then static images.  The choise to deconstruct a fractal image it's not a chance; the fractal images are interesting but I wanted something different; I wanted my fractal images will be recognizable fo...